- Focus speed and eye-tracking
- Battery duration
- No time limit on videos
- Minijack for microphone and headphones
- Location of some buttons and dials
- Without 4K at 60 fps
- Without USB-C connector
- Good stabilization for a photo, something short on video
Sony camera describes this sony a6600 as its flagship in APS-C format. It is the most ambitious bet of the already busy family of mirrorless cameras of the Sony 6000 range. That has in this A6600 is its most powerful model.
These types of cameras have aimed at advanced semi-professional photographers and content creators. Who, either by size or performance, did not need to pay the extra cost implied by Sony’s most professional range. With the A7 and A9 in front.
With a compact body and features close to those offered by Sony’s mirrorless cameras. The Sony camera Alpha 6600 presents an option more affordable than the Sony A7 III. Since the kit, we are testing. Consisting of a Sony A6600 and the Sony E 18-135mm f / 3.5-5.6 OSS lens can buy for about 1,652 euros on Amazon.
Sony Alpha 6600, analysis and opinion
- Design: maintains a compact size and improves grip
- Software: it is not easy to move through the menus of a Sony A6600
- Focus system: professional quality in a lighter format
- Autonomy: considerable improvement
- Optical stabilization: well-stabilized body for a photo but the insufficient video
- Sound quality: three audio and connectivity options for content creators
- Image quality: Sony continues to take steps in the right direction
- Conclusion: camera with the body of 6000 and soul of A7
Maintains a compact size and improves grip
While leading manufacturers in the sector put all their efforts into taking over the mirrorless cameras market, Sony has attacked the rear with a short proposal. That matches some of the best professional mirrorless cameras of the moment.
With Sony Alpha 6600, the Japanese brand points to an advanced or semi-professional user in photography and video. Who does not want to jump to full-format cameras either for their price or for their larger size?
For design, the new Sony Alpha 6600 that we have to analyze. It seems to contribute nothing different from what has already been seen in the rest of the Sony A6000 range.
It remains the same compact camera (120.0 mm x 66.9 mm x 69.3 mm) and is over 500 grams. That we already had in the Alpha 6500. But, fine-tuning the eye, you start to see the subtle differences between the previous top model of the range and the Sony A6600 we are analyzing.
The first thing that attracts attention is a larger grip that facilitates it, making it more stable in hand. Especially when larger lenses are mounted, that is, being able to use it with one hand when lighter lenses are mounted.
With the Sony E 18-135mm f / 3.5-5.6 OSS lens that you mount in the Sony A6600 kit. The balance is perfect since it is a lightweight lens you can buy in most specialty stores. That adds 325 grams to a set that completely stops the scale at 828 grams.
Its compact size and lightness are one of the keys. What differentiates the Sony Alpha 6600 from full-format cameras? The resistant and durable body has responded so well in the previous models of the A6000 series. With a chassis made of magnesium alloy that offers moisture and dust-resistant construction.
With a compact body, all controls and buttons are within reach of the fingers. And it is not difficult to find them even with the eye attached to the viewfinder. But that does not mean that the location of the buttons is the most intuitive in all cases. And even some controls included in the brand’s full-format models are missing.
For example, when holding the camera by its grip, the thumb tends to place it on the shooting mode dial at the top. Which, on some occasions, and similarity of touch and size. Which has caused us to change the shooting mode instead of operating the changing dial. The shutter speed and aperture of the diaphragm are located to the correct change.
You also miss a second front change wheel on the handle like the Sony A7 and A9 or a joystick to control the focus point. The brand could have taken advantage of the increase in grip size. And changes to the new model to add these controls. That improves access to specific parameters during shooting.
Sony has also added new buttons on the back of the Alpha 6600. Thus facilitating direct access to the change to the parameters you use most. Such as changing the type of focus, ISO values, exposure, or segregation of the direction of the trigger.
The Alpha 6600 has four of these customizable buttons. However, you can customize up to nine different buttons by counting the shortcuts of the rear wheel. Here we also have the already characteristic lever. That switches between the focus controls (AF / MF) and exposure lock (AEL).
After the initial customization of these controls and a short adaptation period, all buttons are accessible from the camera’s firing position. Highlight details very useful in its use, such as the small notch that separates the C1 and C2 buttons at the top. That allows them to distinguish from the touch while looking through the viewfinder.
The design of the Sony Alpha 6600 has maintained its 3-inch articulated touch screen with 921,000 points. That allows you to lean up and down to get better visibility by placing the camera at ground level. Or lifting it over your head to make a taking.
The double articulated hinge of the screen allows it to rotate 180 degrees to face the front. So that it is exciting so that the user can see himself on the screen while recording. A function that the “vloggers” or Youtubers will find especially useful. As well as taking selfies.
The lateral viewfinder is maintained so the nose will not stain the screen, as with the visors located in a central position. At the same time, leaving the free visual field for the left eye. Something beneficial to expect at the time of the shoot.
The Sony Alpha 6600 repeats with the OLED electronic viewfinder of 2,359,296 points with an increase of 0.70x. Already mounted by the Sony A6400 and Sony A6500. That leaves it at a disadvantage to its main competitors, such as the Fujifilm X-T3, which exceeds this figure with 3.69 million points and an increased ratio of 0.75x. This figure shows the relationship between the viewers and captured images. The image displayed by these viewers is smaller than the one arrested.
In any case, the experience of using the viewfinder has been outstanding throughout the test. Showing good image quality to ease the correct approach.
One of the most staggering losses is the integrated flash, which loses this model. This decision has its logic given the advanced user profile of this mirrorless-oriented camera. This semi-professional user uses more powerful moments mounted on the shoe or opts for studio lighting.
With these small brushstrokes in its new design, the Sony Alpha 6600 improves the user experience of its range sisters. But, it still has a way to go to achieve the ergonomics offered by Sony’s full-format mirrorless cameras.
It is not easy to move through the menus of an Alpha 6600
Using an advanced Sony camera like the Sony Alpha 6600. This includes so many different technologies and is not easy. And there are many parameters to consider. Despite this, manufacturers must make their use. And configuration as simple as possible for the user.
That is one of the historical weaknesses of the Sony Alpha 6600. We are analyzing this since the user must face a massive menu of options. He must navigate every time he wants to change most of the settings.
This task would ease by enabling the complete functionality of the touch screen. So, by touching or sliding your finger on the net. You could select the option or navigate through the camera menus as you do, for example, on your smartphone.
But, the touch functions of the Sony camera A6600 are limited to some specific assumptions. Such as the touch focus or review of the photo. That forces you to press the back crossbar, passing one by one through the different menus until you reach the desired option or at least find her on the road.
For the user, press the help button to display an extended description of the cryptographic statements of the menu options. Make them easier to understand and help you choose the correct settings.
That level of complexity requires advanced knowledge of the different camera functions. And a learning period to know where there are settings. And some trial and error to determine what each part does.
Professional autofocus in a lighter format
We found a few novelties about the sensor, a 24.2 megapixel Exmor CMOS. That is already an old known in the Sony 6000 range. Since it is the same as mounted from the Sony Alpha 6300 to the Sony A6500. And now this Alpha 6600.
Sony has been working with this sensor for almost four years. So it has had time to refine its operation to achieve a contained noise signal up to 6,400 ISO. And a wide dynamic range. So this option in APS-C format offers a perfect quality image even when the light conditions are not favorable.
The main improvement that the Sony Alpha 6600 brings is the spectacular automatic approach that the Japanese brand developed for the professional models A7, III, and A9, which consists of 425 points distributed throughout the sensor surface.
This feature allows you to handle bursts up to 11 fps while maintaining focus. And automatic exposure and ensuring that continued focus accuracy. Throughout the entire series of photos or throughout the video, with a high success rate.
It is not the highest burst speed on the market. But what is surprising is how practical the approach is during that burst. So as not to keep dozens of photos. Yes, but out of focus. The moving procedure accentuates the center with one of the star functions. That Sony has already implemented it in its entire high-end mirrorless camera. They focus on the eye for both humans and animals.
This focus mode integrated into the Sony Alpha 6600 captures the position of one of the eyes. It sets the tracking with incredible precision, even at a considerable distance. Achieving unprecedented results in a camera aimed at a non-professional user.
This system of focus on the eye and focus on movement makes the Sony A6600 a reliable tool. When capturing moving lenses or trusting the autofocus to the camera when recording yourself. Since the detection zone covers almost 84% of the sensor. Something for YouTubers, vlog creators, and even sports photography fans.
We cannot talk about burst speed without commenting on the storage medium’s performance where photos are stored. And this could consider a weak point in the Sony A6600.